Comprehensive Guide to the JSS 2 Scheme of Work for Second Term (Music Studies)

In this article, we’ll explore the JSS 2 Scheme of Work for the second term, specifically designed for music education. This comprehensive breakdown includes key topics, explanations, and practical examples to enhance learning for novice students while ensuring the content is engaging, informative, and SEO-optimized to drive massive traffic.

Table of Contents

Scheme of Work for JSS 2 Music (Second Term)

Week(s)	Topic(s)	Content
Week 1	Revision	Review of previous term’s work.
Week 2	Keyboard Setting	Introduction to setting up and playing the keyboard.
Week 3	Classification of Western Musical Instruments	Identifying and classifying various Western musical instruments.
Week 4	Intervals	Understanding musical intervals, their significance, and application.
Week 5	Intervals (Continued)	Further exploration and exercises on musical intervals.
Week 6	History of Music: Some Nigerian Art Musicians	Studying Nigerian art musicians and their contributions to music.
Week 7	Triads and Chords	Introduction to triads, chords, and their construction.
Week 8	Inversion of Triads	Understanding and practicing the inversion of triads.
Week 9	Rudiment of Harmony in Two-Part Writing	Basic principles of harmony in two-part music writing.
Week 10	Ear Training (Practical)	Practical ear training exercises to enhance musical listening skills.
Week 11	Revision	Comprehensive revision of all topics covered.
Week 12	Exams	Final exams covering all topics of the second term.

Detailed Explanation of Each Topic

Week 1: Revision

Content: A thorough review of the previous term’s work to refresh students’ memories and reinforce learning.

Example 1: Revisiting key musical terms such as melody, harmony, and rhythm.
Example 2: Recalling the different types of musical scales (major, minor).
Example 3: Reviewing the notes on the staff and their respective values.
Example 4: Practicing reading musical notes and rhythms.
Example 5: Discussing basic music theory concepts learned in the last term.
Example 6: Simple exercises in identifying note patterns on the keyboard.

Week 2: Keyboard Setting

Content: Introduction to keyboard setting, proper hand positioning, and the basics of playing.

Example 1: Learning the layout of the keyboard (white keys vs. black keys).
Example 2: Proper finger placement for playing smooth, accurate notes.
Example 3: Identifying the middle C and its importance.
Example 4: Simple exercises on playing scales and basic chords on the keyboard.
Example 5: Understanding how to use both hands effectively in keyboard playing.
Example 6: Introduction to the concept of key signatures and scales on the keyboard.

Week 3: Classification of Western Musical Instruments

Content: Exploring the different categories of Western musical instruments based on their sounds and playing methods.

Example 1: Strings – Violin, Cello, Guitar.
Example 2: Woodwinds – Flute, Clarinet, Saxophone.
Example 3: Brass – Trumpet, Trombone, French horn.
Example 4: Percussion – Drums, Cymbals, Xylophone.
Example 5: Keyboard – Piano, Organ, Synthesizer.
Example 6: Electronic instruments – Electric guitar, Drum machine.

Week 4: Intervals

Content: Understanding and applying musical intervals, which are the distances between two notes.

Example 1: Defining common intervals like unison, major third, perfect fifth.
Example 2: How to recognize intervals on the keyboard and musical staff.
Example 3: Practice exercises in identifying intervals by ear.
Example 4: Visualizing intervals on the keyboard.
Example 5: Using intervals in the construction of scales and chords.
Example 6: Understanding the difference between consonant and dissonant intervals.

Week 5: Intervals (Continued)

Content: Continuing the study of intervals with more advanced exercises and application.

Example 1: Identifying diminished and augmented intervals.
Example 2: Exploring compound intervals (intervals larger than an octave).
Example 3: Interval inversions and their impact on harmony.
Example 4: Practice of different interval combinations in simple musical pieces.
Example 5: Using intervals in melody writing and improvisation.
Example 6: Practicing interval recognition and ear training exercises.

Week 6: History of Music: Some Nigerian Art Musicians

Content: Studying the contributions of Nigerian art musicians to music history and culture.

Example 1: Discussing the music of Fela Kuti and its influence on Afrobeat.
Example 2: Learning about King Sunny Adé and the rise of Juju music.
Example 3: Exploring Olufela Oluniyi and his contributions to contemporary Nigerian music.
Example 4: The role of Ebenezer Obey in Nigerian traditional music.
Example 5: The impact of Sir Victor Uwaifo on Nigerian highlife music.
Example 6: Listening to some works of these musicians and analyzing their style.

Week 7: Triads and Chords

Content: Introduction to triads and chords, their structure, and their importance in music composition.

Example 1: Learning major and minor triads (C major, A minor).
Example 2: The formula for constructing a triad: root, third, fifth.
Example 3: Understanding how chords form the foundation of harmony.
Example 4: Practice exercises in chord inversions (first, second, and third inversions).
Example 5: Identifying common chord progressions in music.
Example 6: Using triads in both classical and contemporary music compositions.

Week 8: Inversion of Triads

Content: Exploring triad inversions and their effect on the harmony of a piece.

Example 1: Practicing the first inversion of a C major triad (C/E).
Example 2: Understanding the second inversion of triads (C/G).
Example 3: Analyzing how triad inversions create smoother voice leading.
Example 4: Applying triad inversions to different musical genres.
Example 5: Using inversions in accompaniment and solo arrangements.
Example 6: Exercises in transitioning between root position and inverted triads.

Week 9: Rudiments of Harmony in Two-Part Writing

Content: Basics of harmony and how it can be applied in two-part writing (counterpoint).

Example 1: Learning about parallel motion and contrary motion in counterpoint.
Example 2: Writing simple two-part melodies and harmonizing them.
Example 3: Understanding consonance and dissonance in two-part writing.
Example 4: Practice exercises in adding harmonies to simple melodies.
Example 5: Discussing how harmony enhances the emotional impact of music.
Example 6: Experimenting with harmonic intervals and their application in composition.

Week 10: Ear Training (Practical)

Content: Practical ear training exercises to improve listening skills and musical identification.

Example 1: Identifying intervals by ear (major third, perfect fifth).
Example 2: Recognizing chords and triads by ear (major, minor, diminished).
Example 3: Transcribing short melodies based on ear training.
Example 4: Recognizing rhythmic patterns and time signatures.
Example 5: Identifying key changes and modulations in music.
Example 6: Using online tools and apps for ear training.

Week 11: Revision

Content: A final review of all topics, focusing on reinforcing concepts and preparing for exams.

Example 1: Reassessing triads, intervals, and their applications.
Example 2: Reviewing the history of Nigerian musicians.
Example 3: Practice writing two-part harmony exercises.
Example 4: Repetition of ear training exercises.
Example 5: Group discussions to clarify any lingering doubts.
Example 6: Mock exam questions for practice.

Week 12: Exams

Content: Final assessment covering all the topics studied during the term.

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